Here are the HKIFF Jury’s comment:
Peace is a quiet film with an unusual power to move. By following the ordinary lives of people and cats, the camera leads the audience to discover the concept of peace in its most fundamental sense, not as a state of negotiated, reluctant coexistence, but as an idea that lies at the core of our humanity. The film reveals the sublime through the mundane.
I was touched by what Soda wrote on Facebook,
“What I said at the Award Ceremony: I’m from Japan. I’ve been so overwhelmed by the tragedy my country is experiencing that I almost cancelled the trip to Hong Kong. But I’m a filmmaker. It’s my job to make movies and to show them to people. So I changed my mind to come here. I’m now confident that I made a right decision. I’ll continue to make movies.“
Here is a film trailer
Personal note: Since watching Soda’s films for the first time and interviewing him over the years for a few times, Soda has been a true inspiring documentary filmmaker for me. I try to find my own path in documentary filmmaking and it is nice to be inspired by filmmakers like Soda.
The wonderful documentary filmmaker Kazuhiro Soda is screening his award winning new documentary PEACE at the 2011 The 35th Hong Kong International Film Festival on March 28th and March 31st and doing Q&As afterward! Check out the film if you have time. Highly recommended.
Here is a film trailer
Film synopsis (emphasis added)
“What is peace? What is coexistence? And what are the bases for them?
PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.
Three people and stray cats are the main characters. Read the rest of this entry »
A Japanese documentarian friend recommend checking out the insightful and timely documentary “Nuclear Ginza” (with English subtitles) by Channel 4, Great Britain, 1995. [HT Soda]
I am excited to find out the wonderful documentary filmmaker Kazuhiro Soda is screening his award winning new documentary PEACE at the 2011 The 35th Hong Kong International Film Festival on March 28th and March 31st! Check out the film if you have time. Highly recommended. Have a read of my film review and interview with Soda.
Here is a trailer and a brief synopsis of the film.
2010. Japan/USA/South Korea. Directed by Kazuhiro Soda. Toshio Kashiwagi drives disabled and elderly people to appointments with his affordable taxi service. His wife, Hiroko Kashiwagi, is a professional caregiver who also runs a nonprofit home-helper agency for the elderly and disabled. While Hiroko visits 91-year-old cancer patient Shiro Hashimoto to help in his daily routines, her husband returns home to feed the hungry stray cats outside their door. As government funding for these services dwindle, the hungry stray cats encounter a “thief” and the elderly man recalls being drafted into WWII for the price of a postcard.”
The 2010 Sundance & SXSW screened and award-winning documentary “Last Train Home” is starting its screenings at Calgary Globe theatre tomorrow Friday March 19, 2010. The film will also be screened in the HKIFF on March 26th & 29th.
To me, Last Train Home indirectly exposed to us the heart, soul & meaning of those inexpensive “Made in China” goods and the human cost/impact of these goods through the eyes of one Chinese migrant family. Last Train Home is a film that I greatly enjoyed and found extremely touching and insightful.
In the beginning of the film, the viewers are informed that,
“There are over 130 million migrant workers in China. They go home only once a year, during Chinese New Year. This is the world’s largest human migration.“
Last Train Home is the debut film by Chinese-Canadian director Lixin Fan and he has done a wonderful job in telling an emotionally engaging story and the film was beautifully shot. As a documentary filmmaker myself, I watched the film three times over different days before I write this review. And I enjoyed the film more as I watched it.
I came away with the intense feeling that it is the Chinese migrant workers’ rights to improve their living standards, no matter how harsh it may seem to us Westerners. Yes, it came with a price, sometimes the prices can be very high. But, as I get older, I am reluctant to be judgemental and pronounce the western ways are the “best” for Chinese or other citizens of the world. There isn’t a single way to pursue a better life.
A great documentary makes us think and want to talk about the various issues discussed or not discussed in the film and it will make us care about the people in the film. Using these yardsticks, Last Train Home has succeeded and is definitely a great documentary. By chance, the film included one of the worst winters in recent Chinese New Years where train and bus services were seriously disrupted. And that added some urgency into the film.
There is one scene (when the parents had an argument with their child) in the film that shaken and touched me at the same time. As a documentary filmmaker, I kept asking myself, what would I have done if I were filming in the same situation? I finally came to the “uneasy” but “responsible” rationale that supported my instinct. I would have done the same thing and kept filming like Lixin. There was a story to be told and because of the trusting relationship that was built over months, it was ok to keep shooting.
By the way, please see the bottom of this blog entry where you can read an excerpted analysis/discussion by my economist friend Dr. Zhaofeng Xue (薛兆丰) about the problems associated with the Chinese New Year transportation nightmares (“春运综合症”).
Here is an excerpt from the synopsis of the film,
Every spring, China’s cities are plunged into chaos, as all at once, a tidal wave of humanity attempts to return home by train. It is the Chinese New Year. The wave is made up of millions of migrant factory workers. The homes they seek are the rural villages and families they left behind to seek work in the booming coastal cities. It is an epic spectacle that tells us much about China, a country discarding traditional ways as it hurtles towards modernity and global economic dominance.
Last Train Home, an emotionally engaging and visually beautiful debut film from Chinese-Canadian director Lixin Fan, draws us into the fractured lives of a single migrant family caught up in this desperate annual migration.
Here is a trailer of the film for the famous SXSW,
Economics analysis/discussion re chaos with train transportations around the Chinese New Years (“春运综合症”)
My friend Dr. Zhaofeng Xue (薛兆丰) has written for more than 10 years about the problems associated with the Chinese New Year transportation nightmares. In Feb 2010, he wrote about this topic again in this Chinese blog entry, “火车票低价造成了举国浪费“. Very insightful stuff if you read Chinese. Here is an excerpt,
Zhaofeng received his Phd from George Mason University and is currently a post-doctoral fellow at the Northwestern University School of Law. Here is a link to my congratulatory message to Zhaofeng when his book about antitrust was published in 2008.
Sundance sensation “Last Train Home“, an emotionally engaging and visually beautiful debut film from Chinese-Canadian director Lixin Fan, is having an advance screening tonight in Calgary (7pm, March 3rd, Eau Claire) arranged by Calgary International Film Festival.
“Last Train Home” will have its wide release in Calgary later this month on March 19th at the Globe Theatre. I will post my review of the film before the wide release. This is a great film, go and enjoy it.
Here is a trailer of the film for the famous SXSW,