Pictures of Middle Fingers Salute to the Absentee Ai Weiwei as Ai Weiwei: Never Sorry won U.S. Documentary Special Jury Prize for Spirit of Defiance at Sundance 2012. RT@aiww:指天骂地 RT @denghaoyang:中指森林。@aiww RT @AWWNeverSorry:昨夜 圣丹斯颁奖给@aliklay @AWWNeverSorry @aiww现场，表彰他们’道歉你妹’的反抗精神
For the record, two film reviews from industry respected sources. Excerpt from The Hollywood Reporter review (emphasis added),
“The filming is much of the point: Like Warhol 2.0, Ai documents his surroundings obsessively and views Twitter as a necessity. Through a constant online presence, he has become “Teacher Ai” to a legion of followers, and some of his most important art/politics hybrid projects — like one intent on uncovering facts about the Sichuan earthquake that the government wants buried — rely on their participation. As we spend time with him in his studios and home, Ai seems authentically driven by a need for more freedom than China is currently offering.”
Excerpt from Variety review (emphasis added),
“Rather than dwelling too heavily on his museum shows, much of the film expands upon Ai’s key tweets of the past few years. Hence, the incidents that take precedence include the wrenchingly unjust demolition of his Shanghai artist’s studio and his confrontational attempts to seek justice for a police raid that left him with a bleeding head wound — both major events for Klayman to have caught oncamera.
Among Ai’s better-known work is a series of photographs that feature his extended middle finger superimposed over Tiananmen Square and other iconic sites. Whereas many contemporary artists question authority via their work, Ai does not confine his criticism of hegemony to galleries and museums. Instead, he takes the assault directly to the powers that be, which in turn expands the scope of his work to a form of pseudo-performance art, providing Klayman with a handful of lively “happenings” to include in her film, such as Ai’s heated confrontation with the officer who allegedly beat him.
Though the docu provides occasional insights into Ai’s personality, China serves as the more interesting character here, a complex adversary capable of inspiring a range of creative reactions from the artist. By opening with a metaphor about exceptional cat that has learned to open doors, Klayman stresses the one-in-a-billion odds of someone like Ai existing. The film is a good start, but such an important artist deserves a more rigorous portrait.”
As I tweeted, I am very much looking forward to watch Ai Weiwei: Never Sorry. Alison has captured some very important moments and stories in Ai Weiwei‘s life and it is about time more of us get to know him.